May 14, 2025
[encore] 168: What Does It Say by Tess Gallagher

May 14, 2025
[encore] 168: What Does It Say by Tess Gallagher
This episode was originally released on July 17, 2019.
Read the automated transcript.
What Does It Say
by Tess Gallagher
that the only shoe repairman in town has retired? He who mended suitcases and purse straps. Who loved to chat but could turn taciturn. How we laughed over my fondness for shoes that were clearly worn out. “Fair-weather shoes,” he pronounced like a benediction, trying with seasons to extend the life of my loafers. A tall man with nimble fingers on an oversized hand, the gaze surgeon-like. How I admired your Lazarus revivals! For it’s feet in failing shoes that rule the world. Barefooted, we had the ways of birds, equipped from the womb—splashing in puddles, running after dark, bearing our troubles and joys place to place. Addiction to shoes came later. Whether quietly falling apart, coming unglued, or scrubbed down at the heels, they’d still find a dance floor once in a while and shake the body around to remind it how, in or out of shoes, everything depends on the feet. In your imagination toward repair, you gave hope and salvage to those without money for new shoes, or who, like me, had to eke out their days with unmanageable feet, depending on a makeshift tangle of sandals—a few cloth straps stapled to a cork sole— thereby asking you to take up the world of miracles. Shoes that had worn themselves to feet until pain took off its hat and stood on the curb. You seemed to connect with us through time, cheating it day after day, with small, momentous restorations. And what, after all, is a world that walks around only in new shoes, that stops asking for a guy like you, a man true to this gradually falling-apart era, alive to our need to be treated mercifully, our wish to be mended and remended? Someone to companion our fragile hopes in the form of these emptied-out, unsalvageable steps.
“What Does It Say" by Tess Gallagher. Copyright © 2019, from IS, IS NOT by Tess Gallagher. Used by permission of Graywolf Press.